LITERARY RECEPTION OF F. G. LORCA’S “ANDALUSIAN TRILOGY“ IN SPAIN AND RUSSIA

Authors

DOI:

https://doi.org/10.24866/2949-2580/2023-3/113-127

Keywords:

Federico Garcia Lorca, Andalusian trilogy, literary reception, synthesis of arts, spirit of duende, ancient drama, Spanish folklore

Abstract

The article is devoted to the review of literary reception of Garcia Lorca's “Andalusian trilogy” – the plays “Blood Wedding” (1933), “Yerma” (1934), and “The House of Bernarda Alba” (1936) in Spain and Russia. The paper seeks to identify the main directions in the study of these dramas in the works of Russian and Spanish researchers. The peculiarities of the reception of Lorca's dramaturgy from the first publications of the 1930s to modern studies are successively considered, and the peculiarities of the literary perception of the trilogy in Spain and Russia are revealed. The analysis of works of Russian and Spanish literary critics led to the problem of translation reception of ancient and folkloric traditions in F. G. Lorca's “Andalusian trilogy” in Russia.

Downloads

Download data is not yet available.

Author Biographies

  • Inna A. Sitnikova, Far Eastern Federal University (Vladivostok, Russia)

    Post-Graduate Student, Senior Teacher, Department of Romano-German philology.

  • Galina I. Modina, Far Eastern Federal University (Vladivostok, Russia)

    Doctor of Philological Sciences, Professor, Department of Romano-German philology.

Downloads

Published

23-10-2023

Issue

Section

TO THE 80TH ANNIVERSARY OF MARIA GRIGORIEVNA LEBEDKO

How to Cite

[1]
2023. LITERARY RECEPTION OF F. G. LORCA’S “ANDALUSIAN TRILOGY“ IN SPAIN AND RUSSIA. Far Eastern Philological Journal. 1, 3 (Oct. 2023), 113–127. DOI:https://doi.org/10.24866/2949-2580/2023-3/113-127.

Most read articles by the same author(s)