No. 1 (2022): Humanities research in the Russian Far East

DOI: https://doi.org/10.24866/1997-2857/2022-1
Published: 29-03-2022

Full Issue

ARCHAEOLOGY, ANTHROPOLOGY AND ETHNOLOGY IN CIRCUM-PAСIFIC

KONSTANTIN LEONTIEV: BLOSSOMING COMPLEXITY. TO THE 190th ANNIVERSARY OF THE PHILOSOPHER

  • «The blossoming complexity» and «Let a hundred flowers bloom»: is there a difference?

    Olga L. Fetisenko
    31–35
    DOI: https://doi.org/10.24866/1997-2857/2022-1/31-35

  • Konstantin Leontiev’s aestheticism as an antipode of the egalitarian progress and mass culture

    Alexander A. Korolkov
    36–39
    DOI: https://doi.org/10.24866/1997-2857/2022-1/36-39

  • Konstantin Leontiev’s personality as a basis for his creative heritage: from aestheticism to the monastic ideal

    Sergey V. Pishun
    40–45
    DOI: https://doi.org/10.24866/1997-2857/2022-1/40-45

  • The phenomenon of Konstantin Leontiev: from aestheticism to religious feeling

    Svetlana Yu. Pchelkina
    46–52
    DOI: https://doi.org/10.24866/1997-2857/2022-1/46-52

  • Liberalism as a killer of the «blossoming complexity»: the lived world of a modern man in the light of Konstantin Leontiev’s ideas

    Yuri V. Pushchaev
    53–60
    DOI: https://doi.org/10.24866/1997-2857/2022-1/53-60

  • Konstantin Leontiev’s view of Fyodor Dostoevsky’s «Christian idealism»

    Ping Li
    61–64
    DOI: https://doi.org/10.24866/1997-2857/2022-1/61-64

  • Byzantism in the history of Russia: Konstantin Leontiev and others

    Igor I. Evlampiev, Menglian Ou
    65–75
    DOI: https://doi.org/10.24866/1997-2857/2022-1/65-75

PHILOSOPHIA PERENNIS

  • The main trends in the understanding of divine providence in the works of church thinkers of the IVth and Vth centuries

    Alexey A. Kamenchuk
    76–86
    DOI: https://doi.org/10.24866/1997-2857/2022-1/76-86

  • Labor as a social phenomenon in Russian theological academies philosophy of the late XIXth – early XXth century

    Matvey N. Zaporozhskiy
    87–92
    DOI: https://doi.org/10.24866/1997-2857/2022-1/87-92

  • Images of modernity in the XXIst century: craft capitalism

    Nikolai B. Afanasov
    93–100
    DOI: https://doi.org/10.24866/1997-2857/2022-1/93-100