THE DIALOGUE OF ARTS IN ALEXEY SLAPOVSKY NOVEL «THE GREY BRANCH»

Authors

  • Yulia M. Zamureeva Far Eastern Federal University
  • Tatyana F. Panchenko Far Eastern Federal University Scientific Advisor

DOI:

https://doi.org/10.24866/2949-2580/2023-4/74-80

Keywords:

Slapovsky, Jean Perreal, ecphraxis, “The Lady and the Unicorn” , Tracy Chevalier, modern prose, tapestry, symbol

Abstract

The article analyzes the cases when the found symbolic images of fine art acquire significant semantic functions in literature. In a complex cultural dialogue, the tapestry plays the role of a semantic catalyst, becoming a reflection of the ambiguous world of symbols of an artistic work. The symbiosis of world art and Russian literature generates a double effect, emphasizing the idea of using innovative forms by A. I. Slapovsky in interaction with a modern reader.

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Author Biographies

  • Yulia M. Zamureeva, Far Eastern Federal University

    Bachelor

  • Tatyana F. Panchenko , Far Eastern Federal University

    Candidate of Pedagogical Sciences, Associate Professor of the Department of the Russian Language and Literature 

References

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Nordenfalk C. The Five Senses in Late Medieval and Renaissance Art // Journal of the Warburg and Courtauld Institutes. 1985. V. 48. P. 1–22.

Ronnenberg A., Martin K. (eds.) The Book of Symbols: Reflections on Archetypal Im-ages (The Archive for Research in Archetypal Symbolism). Cologne: Taschen, 2010. 810 p.

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Published

26-12-2023

Issue

Vol. 1 No. 4 (2023): Far Eastern Philological Journal

Section

Literary Studies

License

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How to Cite

[1]
2023. THE DIALOGUE OF ARTS IN ALEXEY SLAPOVSKY NOVEL «THE GREY BRANCH». Far Eastern Philological Journal. 1, 4 (Dec. 2023), 74–80. DOI:https://doi.org/10.24866/2949-2580/2023-4/74-80.