“BOVARIARISM” AS THE ONIRIC SPHERE IN “GEMMA BOVERY” SCRIPT

Authors

DOI:

https://doi.org/10.24866/2949-2580/2023-2/68-75

Keywords:

oniric sphere, ontology of the proper name, semantic paradigm, SurNom, anthroponym, literary onomastics, poetonym

Abstract

Within the frameworks of Gérard Genette’s “bovariarism” term the article encompasses the oniric experience of the literary protagonist, where the so-called ‘bovariarism’ is an intrinsic constituent of this sort of experience. The sample for analysis is the script of the film “Gemma Bovery” by Anne Fontaine. The movie under the postmodernity tradition covers both fictional heroines of “Madame Bovary” and “Anna Karenina”. The epistemological hero’s naming process as well as the poetonym specifics are analyzed in both foreign and Russian philosophy of the Name.

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Author Biographies

  • Larissa N. Talalova , State University of Management (Moscow, Russia)

    Doctor of Pedagogical Sciences, Associate Professor.

  • Natalya F. Krylova, State University of Management (Moscow, Russia)

    Candidate of Philological Sciences, Associate Professor.

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Published

25-05-2023

Issue

Vol. 1 No. 2 (2023): Far Eastern Philological Journal

Section

Literary Studies. Artistic Text in the Interdisciplinary Context

How to Cite

[1]
2023. “BOVARIARISM” AS THE ONIRIC SPHERE IN “GEMMA BOVERY” SCRIPT . Far Eastern Philological Journal. 1, 2 (May 2023), 68–75. DOI:https://doi.org/10.24866/2949-2580/2023-2/68-75.